News briefs:April 25, 2010

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News briefs:April 25, 2010
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Colleges offering admission to displaced New Orleans students/OH-WY

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Colleges offering admission to displaced New Orleans students/OH-WY

February 9, 2019 · Filed under Uncategorized

See the discussion page for instructions on adding schools to this list and for an alphabetically arranged listing of schools.

Due to the damage by Hurricane Katrina and subsequent flooding, a number of colleges and universities in the New Orleans metropolitan area will not be able to hold classes for the fall 2005 semester. It is estimated that 75,000 to 100,000 students have been displaced. [1]. In response, institutions across the United States and Canada are offering late registration for displaced students so that their academic progress is not unduly delayed. Some are offering free or reduced admission to displaced students. At some universities, especially state universities, this offer is limited to residents of the area.

Contents

  • 1 Overview
  • 2 Ohio
  • 3 Oklahoma
  • 4 Oregon
  • 5 Pennsylvania
  • 6 Rhode Island
  • 7 South Carolina
  • 8 South Dakota
  • 9 Tennessee
  • 10 Texas
  • 11 Utah
  • 12 Vermont
  • 13 Virginia
  • 14 Washington
  • 15 West Virginia
  • 16 Wisconsin
  • 17 Wyoming

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First Google Android phone unveiled, will be available soon

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First Google Android phone unveiled, will be available soon

February 9, 2019 · Filed under Uncategorized

Tuesday, September 23, 2008

The first phone that runs on Google Android was unveiled today by T-Mobile. The announcement of this new handset, named the T-Mobile G1, was made in an event run by T-Mobile USA which took place today.

The event started at 14:30 UTC (10:30 local time) when Cole Brodman, the chief technology and innovation officer of T-Mobile USA, started introducing the people who were going to be present at the launch. These people were Andy Rubin, who represents Google, and Christopher Schlaffer, who is the CTO of Deutsche Telekom.

Five minutes later Schlaffer announced that Google Android will be available for Christmas 2008 on T-Mobile for customers of Deutsche Telekom. The new phone was then revealed by Cole Brodman, who described the phone as “iconic.”

Commentators, however, dismissed claims that the phone was iconic. Marguerite Reardon from CNET said that Android looks rather like the iPhone, and as a result she does not think the phone can be described as iconic. She also said that the Android device looks the Danger Hiptop device, which is also known as the T-Mobile Sidekick.

The new phone will be available free in the UK for users with contracts that cost over 40GB£ (Approximately 74 US$) per month. These planned tariffs are expected to include unlimited web access.

Android is completely open source, and was developed by Google and the Open Handset Alliance, a partnership of over thirty companies working to develop open source software for mobile phones.

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Post-Kyoto agreement is subject of G8 debate

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Post-Kyoto agreement is subject of G8 debate

February 9, 2019 · Filed under Uncategorized

Thursday, June 7, 2007

Leaders from the 7 richest industrialised countries and Russia will have to deal with climate issues at the 33rd G8 summit in Heiligendamm, Germany. While France and Germany are calling for quantifiable greenhouse gas emission cuts, the U.S. and Japan believe that growing economies such as India and China would need to join in on such efforts.

German Chancellor Angela Merkel at the G8 summit yesterday said the two main topics were climate change and combating poverty in Africa. She said her first talks with president Bush were good, and added: “I trust that we will work out joint positions on that.” Bush acknowledged that he has “strong desire to work … on a post-Kyoto agreement.”

We all can make major strides, and yet there won’t be a reduction until China and India are participants

Merkel had proposed a 50% decrease in greenhouse gas emissions by 2050 compared to 1990 levels, helping to keep global temperature rise to no more than 3.6°C. White House adviser James Connaughton however said that “At this point in time we are not prepared to adopt that proposal.”

President George W. Bush finds himself in a position between the pressure from France and Germany, but on the other hand he wants to urge countries like India and China to join climate efforts. He told reporters that: “The United States can serve as a bridge between some nations who believe that now is the time to come up with a set goal … and those who are reluctant to participate in the dialogue. … We all can make major strides, and yet there won’t be a reduction until China and India are participants.”

President Bush will defend his plan today to organise a separate conference on global warming with the 15 biggest polluters to set their own goals, and to rely on technological innovations to achieve part of the emission targets. When asked about the U.S. plans, Merkel said in a television interview that she didn’t expect the differences to disappear overnight. At the G8 summit she said stated: “I think we all know that the goals agreed by the European Union cannot be accepted by the entire world.”

Japanese Prime Minister Shinzo Abe told reporters: “On climate change …We agreed that Japan and the United States would be working together for the creation of an effective framework which is flexible, and that we would be cooperating to achieve that end in the future.”

The new President of France Nicolas Sarkozy wants the U.S. to increase their efforts on climate issues. He told reporters yesterday: “We need quantifiable targets in the final text. It is an extremely important point and I intend to talk to the president of the United States about it as early as this evening. … President Bush has made a first effort, but we need to set ourselves targets to clearly show the determination of the G-8 to act and to obtain results… If we don’t act now, it will be too late to avoid a disaster. It will cost less than if we wait.”

A spokesman for Russian President Vladimir Putin called the U.S. plans to deal with global warming “very pragmatic and interesting.” Italian Prime Minister Romano Prodi recognised that “the American president has made comments in the last few days that have been more open than in the past.” Prime Minister of the United Kingdom Tony Blair also welcomed the U.S. engagement for “substantial” reductions, which the U.S. is aiming for, according to a recent U.S. draft G8 document.

President of the European Commission José Manuel Barroso at the G8 summit said he thought the E.U. was taking a leading role in the climate debate, also by influencing the position of countries like the U.S. and China. He believes a global agreement to follow Kyoto is needed, possibly by 2009. He stressed that, as this was a problem created by all nations, effecting all, it had to be tackled within the UN-framework, and that agreements made by only a number of states would fall short of what is needed. He also doubted the possibility that hard numbers on emissions cuts would result from this summit.

Other topics at the G8 Summit will be development in Africa (including the fight against AIDS and malaria), the Doha Round of the World Trade Organization, and the U.S. plans to set up a missile defence shield in Europe.

The U.S. is the only G8 country that has not ratified the Kyoto protocol, which expires in 2012.

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Governor of Puerto Rico indicted in campaign finance probe

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Governor of Puerto Rico indicted in campaign finance probe

February 9, 2019 · Filed under Uncategorized

Thursday, March 27, 2008

Today, Aníbal Acevedo Vilá, the Governor of the Commonwealth of Puerto Rico, was indicted with 19 counts related to irregularities found in the financing of his campaigns for public offices on and off the island. Puerto Rico is a semi-autonomous territory of the United States.

Indicted along with Acevedo Vilá are 12 other people associated with his Popular Democratic Party, all living in Puerto Rico, Washington D.C., or Philadelphia. In total, there were 27 charges.

The U.S. Attorney Rosa Emilia Rodríguez of the District of Puerto Rico said that, because of the nature of the crimes he is charged with, the Governor himself will not be arrested immediately and will be given a chance to “give himself up to the police.” Some of the other people charged, however, have already been arrested and await trial.

The 13 defendants are charged with conspiracy, false statements, wire fraud, federal program fraud and tax crimes related to the financing for the Governor’s 1999-2002 campaigns for Resident Commissioner, the sole representative of the island in the U.S. Congress, and for his subsequent 2004 gubernatorial run.

This indictment comes after a two-year investigation by a Grand Jury of donations made to the Governor’s past campaigns.

The defendants face three to ten years in federal prison, as well as several $100,000 to $250,000 fines.

Acevedo Vilá’s lawyer Thomas Green says he will defend the Governor “vigorously”, and that he finds it troubling that these accusations come only months before the General Elections in Puerto Rico, in which the Governor will run for a second term.

Governor Acevedo Vilá made a televised statement at 5:30 p.m. local time (22:30 UTC) in which he defended himself from the accusations and indicated he will continue in his post.

Governor Acevedo Vilá is the chairman of the Popular Democratic Party of Puerto Rico, which supports the island’s current Commonwealth status with the United States, instead of full statehood or independence.

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John Vanderslice plays New York City: Wikinews interview

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John Vanderslice plays New York City: Wikinews interview

February 9, 2019 · Filed under Uncategorized

Thursday, September 27, 2007

John Vanderslice has recently learned to enjoy America again. The singer-songwriter, who National Public Radio called “one of the most imaginative, prolific and consistently rewarding artists making music today,” found it through an unlikely source: his French girlfriend. “For the first time in my life I wouldn’t say I was defending the country but I was in this very strange position…”

Since breaking off from San Francisco local legends, mk Ultra, Vanderslice has produced six critically-acclaimed albums. His most recent, Emerald City, was released July 24th. Titled after the nickname given to the American-occupied Green Zone in Baghdad, it chronicles a world on the verge of imminent collapse under the weight of its own paranoia and loneliness. David Shankbone recently went to the Bowery Ballroom and spoke with Vanderslice about music, photography, touring and what makes a depressed liberal angry.


DS: How is the tour going?

JV: Great! I was just on the Wiki page for Inland Empire, and there is a great synopsis on the film. What’s on there is the best thing I have read about that film. The tour has been great. The thing with touring: say you are on vacation…let’s say you are doing an intense vacation. I went to Thailand alone, and there’s a part of you that just wants to go home. I don’t know what it is. I like to be home, but on tour there is a free floating anxiety that says: Go Home. Go Home.

DS: Anywhere, or just outside of the country?

JV: Anywhere. I want to be home in San Francisco, and I really do love being on tour, but there is almost like a homing beacon inside of me that is beeping and it creates a certain amount of anxiety.

DS: I can relate: You and I have moved around a lot, and we have a lot in common. Pranks, for one. David Bowie is another.

JV: Yeah, I saw that you like David Bowie on your MySpace.

DS: When I was in college I listened to him nonstop. Do you have a favorite album of his?

JV: I loved all the things from early to late seventies. Hunky Dory to Low to “Heroes” to Lodger. Low changed my life. The second I got was Hunky Dory, and the third was Diamond Dogs, which is a very underrated album. Then I got Ziggy Stardust and I was like, wow, this is important…this means something. There was tons of music I discovered in the seventh and eighth grade that I discovered, but I don’t love, respect and relate to it as much as I do Bowie. Especially Low…I was just on a panel with Steve Albini about how it has had a lot of impact.

DS: You said seventh and eighth grade. Were you always listening to people like Bowie or bands like the Velvets, or did you have an Eddie Murphy My Girl Wants to Party All the Time phase?

JV: The thing for me that was the uncool music, I had an older brother who was really into prog music, so it was like Gentle Giant and Yes and King Crimson and Genesis. All the new Genesis that was happening at the time was mind-blowing. Phil Collins‘s solo record…we had every single solo record, like the Mike Rutherford solo record.

DS: Do you shun that music now or is it still a part of you?

JV: Oh no, I appreciate all music. I’m an anti-snob. Last night when I was going to sleep I was watching Ocean’s Thirteen on my computer. It’s not like I always need to watch some super-fragmented, fucked-up art movie like Inland Empire. It’s part of how I relate to the audience. We end every night by going out into the audience and playing acoustically, directly, right in front of the audience, six inches away—that is part of my philosophy.

DS: Do you think New York or San Francisco suffers from artistic elitism more?

JV: I think because of the Internet that there is less and less elitism; everyone is into some little superstar on YouTube and everyone can now appreciate now Justin Timberlake. There is no need for factions. There is too much information, and I think the idea has broken down that some people…I mean, when was the last time you met someone who was into ska, or into punk, and they dressed the part? I don’t meet those people anymore.

DS: Everything is fusion now, like cuisine. It’s hard to find a purely French or purely Vietnamese restaurant.

JV: Exactly! When I was in high school there were factions. I remember the guys who listened to Black Flag. They looked the part! Like they were in theater.

DS: You still find some emos.

JV: Yes, I believe it. But even emo kids, compared to their older brethren, are so open-minded. I opened up for Sunny Day Real Estate and Pedro the Lion, and I did not find their fans to be the cliquish people that I feared, because I was never playing or marketed in the emo genre. I would say it’s because of the Internet.

DS: You could clearly create music that is more mainstream pop and be successful with it, but you choose a lot of very personal and political themes for your music. Are you ever tempted to put out a studio album geared toward the charts just to make some cash?

JV: I would say no. I’m definitely a capitalist, I was an econ major and I have no problem with making money, but I made a pact with myself very early on that I was only going to release music that was true to the voices and harmonic things I heard inside of me—that were honestly inside me—and I have never broken that pact. We just pulled two new songs from Emerald City because I didn’t feel they were exactly what I wanted to have on a record. Maybe I’m too stubborn or not capable of it, but I don’t think…part of the equation for me: this is a low stakes game, making indie music. Relative to the world, with the people I grew up with and where they are now and how much money they make. The money in indie music is a low stakes game from a financial perspective. So the one thing you can have as an indie artist is credibility, and when you burn your credibility, you are done, man. You can not recover from that. These years I have been true to myself, that’s all I have.

DS: Do you think Spoon burned their indie credibility for allowing their music to be used in commercials and by making more studio-oriented albums? They are one of my favorite bands, but they have come a long way from A Series of Sneaks and Girls Can Tell.

JV: They have, but no, I don’t think they’ve lost their credibility at all. I know those guys so well, and Brit and Jim are doing exactly the music they want to do. Brit owns his own studio, and they completely control their means of production, and they are very insulated by being on Merge, and I think their new album—and I bought Telephono when it came out—is as good as anything they have done.

DS: Do you think letting your music be used on commercials does not bring the credibility problem it once did? That used to be the line of demarcation–the whole Sting thing–that if you did commercials you sold out.

JV: Five years ago I would have said that it would have bothered me. It doesn’t bother me anymore. The thing is that bands have shrinking options for revenue streams, and sync deals and licensing, it’s like, man, you better be open to that idea. I remember when Spike Lee said, ‘Yeah, I did these Nike commercials, but it allowed me to do these other films that I wanted to make,’ and in some ways there is an article that Of Montreal and Spoon and other bands that have done sync deals have actually insulated themselves further from the difficulties of being a successful independent band, because they have had some income come in that have allowed them to stay put on labels where they are not being pushed around by anyone.
The ultimate problem—sort of like the only philosophical problem is suicide—the only philosophical problem is whether to be assigned to a major label because you are then going to have so much editorial input that it is probably going to really hurt what you are doing.

DS: Do you believe the only philosophical question is whether to commit suicide?

JV: Absolutely. I think the rest is internal chatter and if I logged and tried to counter the internal chatter I have inside my own brain there is no way I could match that.

DS: When you see artists like Pete Doherty or Amy Winehouse out on suicidal binges of drug use, what do you think as a musician? What do you get from what you see them go through in their personal lives and their music?

JV: The thing for me is they are profound iconic figures for me, and I don’t even know their music. I don’t know Winehouse or Doherty’s music, I just know that they are acting a very crucial, mythic part in our culture, and they might be doing it unknowingly.

DS: Glorification of drugs? The rock lifestyle?

JV: More like an out-of-control Id, completely unregulated personal relationships to the world in general. It’s not just drugs, it’s everything. It’s arguing and scratching people’s faces and driving on the wrong side of the road. Those are just the infractions that land them in jail. I think it might be unknowing, but in some ways they are beautiful figures for going that far off the deep end.

DS: As tragic figures?

JV: Yeah, as totally tragic figures. I appreciate that. I take no pleasure in saying that, but I also believe they are important. The figures that go outside—let’s say GG Allin or Penderetsky in the world of classical music—people who are so far outside of the normal boundaries of behavior and communication, it in some way enlarges the size of your landscape, and it’s beautiful. I know it sounds weird to say that, but it is.

DS: They are examples, as well. I recently covered for Wikinews the Iranian President speaking at Columbia and a student named Matt Glick told me that he supported the Iranian President speaking so that he could protest him, that if we don’t give a platform and voice for people, how can we say that they are wrong? I think it’s almost the same thing; they are beautiful as examples of how living a certain way can destroy you, and to look at them and say, “Don’t be that.”

JV: Absolutely, and let me tell you where I’m coming from. I don’t do drugs, I drink maybe three or four times a year. I don’t have any problematic relationship to drugs because there has been a history around me, like probably any musician or creative person, of just blinding array of drug abuse and problems. For me, I am a little bit of a control freak and I don’t have those issues. I just shut those doors. But I also understand and I am very sympathetic to someone who does not shut that door, but goes into that room and stays.

DS: Is it a problem for you to work with people who are using drugs?

JV: I would never work with them. It is a very selfish decision to make and usually those people are total energy vampires and they will take everything they can get from you. Again, this is all in theory…I love that stuff in theory. If Amy Winehouse was my girlfriend, I would probably not be very happy.

DS: Your latest CD is Emerald City and that is an allusion to the compound that we created in Baghdad. How has the current political client affected you in terms of your music?

JV: In some ways, both Pixel Revolt and Emerald City were born out of a recharged and re-energized position of my being….I was so beaten down after the 2000 election and after 9/11 and then the invasion of Iraq, Afghanistan; I was so depleted as a person after all that stuff happened, that I had to write my way out of it. I really had to write political songs because for me it is a way of making sense and processing what is going on. The question I’m asked all the time is do I think is a responsibility of people to write politically and I always say, My God, no. if you’re Morrissey, then you write Morrissey stuff. If you are Dan Bejar and Destroyer, then you are Dan Bejar and you are a fucking genius. Write about whatever it is you want to write about. But to get out of that hole I had to write about that.

DS: There are two times I felt deeply connected to New York City, and that was 9/11 and the re-election of George Bush. The depression of the city was palpable during both. I was in law school during the Iraq War, and then when Hurricane Katrina hit, we watched our countrymen debate the logic of rebuilding one of our most culturally significant cities, as we were funding almost without question the destruction of another country to then rebuild it, which seems less and less likely. Do you find it is difficult to enjoy living in America when you see all of these sorts of things going on, and the sort of arguments we have amongst ourselves as a people?

JV: I would say yes, absolutely, but one thing changed that was very strange: I fell in love with a French girl and the genesis of Emerald City was going through this visa process to get her into the country, which was through the State Department. In the middle of process we had her visa reviewed and everything shifted over to Homeland Security. All of my complicated feelings about this country became even more dour and complicated, because here was Homeland Security mailing me letters and all involved in my love life, and they were grilling my girlfriend in Paris and they were grilling me, and we couldn’t travel because she had a pending visa. In some strange ways the thing that changed everything was that we finally got the visa accepted and she came here. Now she is a Parisian girl, and it goes without saying that she despises America, and she would never have considered moving to America. So she moves here and is asking me almost breathlessly, How can you allow this to happen

DS: –you, John Vanderslice, how can you allow this—

JV: –Me! Yes! So for the first time in my life I wouldn’t say I was defending the country but I was in this very strange position of saying, Listen, not that many people vote and the churches run fucking everything here, man. It’s like if you take out the evangelical Christian you have basically a progressive western European country. That’s all there is to it. But these people don’t vote, poor people don’t vote, there’s a complicated equation of extreme corruption and voter fraud here, and I found myself trying to rattle of all the reasons to her why I am personally not responsible, and it put me in a very interesting position. And then Sarkozy got elected in France and I watched her go through the same horrific thing that we’ve gone through here, and Sarkozy is a nut, man. This guy is a nut.

DS: But he doesn’t compare to George Bush or Dick Cheney. He’s almost a liberal by American standards.

JV: No, because their President doesn’t have much power. It’s interesting because he is a WAPO right-wing and he was very close to Le Pen and he was a card-carrying straight-up Nazi. I view Sarkozy as somewhat of a far-right candidate, especially in the context of French politics. He is dismantling everything. It’s all changing. The school system, the remnants of the socialized medical care system. The thing is he doesn’t have the foreign policy power that Bush does. Bush and Cheney have unprecedented amounts of power, and black budgets…I mean, come on, we’re spending half a trillion dollars in Iraq, and that’s just the money accounted for.

DS: What’s the reaction to you and your music when you play off the coasts?

JV: I would say good…

DS: Have you ever been Dixiechicked?

JV: No! I want to be! I would love to be, because then that means I’m really part of some fiery debate, but I would say there’s a lot of depressed in every single town. You can say Salt Lake City, you can look at what we consider to be conservative cities, and when you play those towns, man, the kids that come out are more or less on the same page and politically active because they are fish out of water.

DS: Depression breeds apathy, and your music seems geared toward anger, trying to wake people from their apathy. Your music is not maudlin and sad, but seems to be an attempt to awaken a spirit, with a self-reflective bent.

JV: That’s the trick. I would say that honestly, when Katrina happened, I thought, “okay, this is a trick to make people so crazy and so angry that they can’t even think. If you were in a community and basically were in a more or less quasi-police state surveillance society with no accountability, where we are pouring untold billions into our infrastructure to protect outside threats against via terrorism, or whatever, and then a natural disaster happens and there is no response. There is an empty response. There is all these ships off the shore that were just out there, just waiting, and nobody came. Michael Brown. It is one of the most insane things I have ever seen in my life.

DS: Is there a feeling in San Francisco that if an earthquake struck, you all would be on your own?

JV: Yes, of course. Part of what happened in New Orleans is that it was a Catholic city, it was a city of sin, it was a black city. And San Francisco? Bush wouldn’t even visit California in the beginning because his numbers were so low. Before Schwarzenegger definitely. I’m totally afraid of the earthquake, and I think everyone is out there. America is in the worst of both worlds: a laissez-fare economy and then the Grover Norquist anti-tax, starve the government until it turns into nothing more than a Argentinian-style government where there are these super rich invisible elite who own everything and there’s no distribution of wealth and nothing that resembles the New Deal, twentieth century embracing of human rights and equality, war against poverty, all of these things. They are trying to kill all that stuff. So, in some ways, it is the worst of both worlds because they are pushing us towards that, and on the same side they have put in a Supreme Court that is so right wing and so fanatically opposed to upholding civil rights, whether it be for foreign fighters…I mean, we are going to see movement with abortion, Miranda rights and stuff that is going to come up on the Court. We’ve tortured so many people who have had no intelligence value that you have to start to look at torture as a symbolic and almost ritualized behavior; you have this…

DS: Organ failure. That’s our baseline…

JV: Yeah, and you have to wonder about how we were torturing people to do nothing more than to send the darkest signal to the world to say, Listen, we are so fucking weird that if you cross the line with us, we are going to be at war with your religion, with your government, and we are going to destroy you.

DS: I interviewed Congressman Tom Tancredo, who is running for President, and he feels we should use as a deterrent against Islam the bombing of the Muslim holy cities of Mecca and Medina.

JV: You would radicalize the very few people who have not been radicalized, yet, by our actions and beliefs. We know what we’ve done out there, and we are going to paying for this for a long time. When Hezbollah was bombing Israel in that border excursion last year, the Hezbollah fighters were writing the names of battles they fought with the Jews in the Seventh Century on their helmets. This shit is never forgotten.

DS: You read a lot of the stuff that is written about you on blogs and on the Internet. Do you ever respond?

JV: No, and I would say that I read stuff that tends to be . I’ve done interviews that have been solely about film and photography. For some reason hearing myself talk about music, and maybe because I have been talking about it for so long, it’s snoozeville. Most interviews I do are very regimented and they tend to follow a certain line. I understand. If I was them, it’s a 200 word piece and I may have never played that town, in Des Moines or something. But, in general, it’s like…my band mates ask why don’t I read the weeklies when I’m in town, and Google my name. It would be really like looking yourself in the mirror. When you look at yourself in the mirror you are just error-correcting. There must be some sort of hall of mirrors thing that happens when you are completely involved in the Internet conversation about your music, and in some ways I think that I’m very innocently making music, because I don’t make music in any way that has to do with the response to that music. I don’t believe that the response to the music has anything to do with it. This is something I got from John Cage and Marcel Duchamp, I think the perception of the artwork, in some ways, has nothing to do with the artwork, and I think that is a beautiful, glorious and flattering thing to say to the perceiver, the viewer of that artwork. I’ve spent a lot of time looking at Paul Klee‘s drawings, lithographs, watercolors and paintings and when I read his diaries I’m not sure how much of a correlation there is between what his color schemes are denoting and what he is saying and what I am getting out of it. I’m not sure that it matters. Inland Empire is a great example. Lynch basically says, I don’t want to talk about it because I’m going to close doors for the viewer. It’s up to you. It’s not that it’s a riddle or a puzzle. You know how much of your own experience you are putting into the digestion of your own art. That’s not to say that that guy arranges notes in an interesting way, and sings in an interesting way and arranges words in an interesting way, but often, if someone says they really like my music, what I want to say is, That’s cool you focused your attention on that thing, but it does not make me go home and say, Wow, you’re great. My ego is not involved in it.

DS: Often people assume an artist makes an achievement, say wins a Tony or a Grammy or even a Cable Ace Award and people think the artist must feel this lasting sense of accomplishment, but it doesn’t typically happen that way, does it? Often there is some time of elation and satisfaction, but almost immediately the artist is being asked, “Okay, what’s the next thing? What’s next?” and there is an internal pressure to move beyond that achievement and not focus on it.

JV: Oh yeah, exactly. There’s a moment of relief when a mastered record gets back, and then I swear to you that ten minutes after that point I feel there are bigger fish to fry. I grew up listening to classical music, and there is something inside of me that says, Okay, I’ve made six records. Whoop-dee-doo. I grew up listening to Gustav Mahler, and I will never, ever approach what he did.

DS: Do you try?

JV: I love Mahler, but no, his music is too expansive and intellectual, and it’s realized harmonically and compositionally in a way that is five languages beyond me. And that’s okay. I’m very happy to do what I do. How can anyone be so jazzed about making a record when you are up against, shit, five thousand records a week—

DS: —but a lot of it’s crap—

JV: —a lot of it’s crap, but a lot of it is really, really good and doesn’t get the attention it deserves. A lot of it is very good. I’m shocked at some of the stuff I hear. I listen to a lot of music and I am mailed a lot of CDs, and I’m on the web all the time.

DS: I’ve done a lot of photography for Wikipedia and the genesis of it was an attempt to pin down reality, to try to understand a world that I felt had fallen out of my grasp of understanding, because I felt I had no sense of what this world was about anymore. For that, my work is very encyclopedic, and it fit well with Wikipedia. What was the reason you began investing time and effort into photography?

JV: It came from trying to making sense of touring. Touring is incredibly fast and there is so much compressed imagery that comes to you, whether it is the window in the van, or like now, when we are whisking through the Northeast in seven days. Let me tell you, I see a lot of really close people in those seven days. We move a lot, and there is a lot of input coming in. The shows are tremendous and, it is emotionally so overwhelming that you can not log it. You can not keep a file of it. It’s almost like if I take photos while I am doing this, it slows it down or stops it momentarily and orders it. It has made touring less of a blur; concretizes these times. I go back and develop the film, and when I look at the tour I remember things in a very different way. It coalesces. Let’s say I take on fucking photo in Athens, Georgia. That’s really intense. And I tend to take a photo of someone I like, or photos of people I really admire and like.

DS: What bands are working with your studio, Tiny Telephone?

JV: Death Cab for Cutie is going to come back and track their next record there. Right now there is a band called Hello Central that is in there, and they are really good. They’re from L.A. Maids of State was just in there and w:Deerhoof was just in there. Book of Knotts is coming in soon. That will be cool because I think they are going to have Beck sing on a tune. That will be really cool. There’s this band called Jordan from Paris that is starting this week.

DS: Do they approach you, or do you approach them?

JV I would say they approach me. It’s generally word of mouth. We never advertise and it’s very cheap, below market. It’s analog. There’s this self-fulfilling thing that when you’re booked, you stay booked. More bands come in, and they know about it and they keep the business going that way. But it’s totally word of mouth.

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Interview with Stephanie Beaumier, City Council candidate for Wards 1 & 5 in Brampton, Canada

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Interview with Stephanie Beaumier, City Council candidate for Wards 1 & 5 in Brampton, Canada

February 8, 2019 · Filed under Uncategorized

Tuesday, October 24, 2006

The upcoming 2006 Brampton municipal election, to be held November 13, features an array of candidates looking to represent their wards in city council or the council of the Peel Region.

Wikinews contributor Nick Moreau contacted many of the candidates, including Stephanie Beaumier, asking them to answer common questions sent in an email. This ward’s incumbent is Grant Gibson, also challenging Gibson is Malcolm Jones, Larry Lee, Jeffrey Schrik, Jagtar Shergill, and Whoston Wray.

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Canadian Prime Minister Harper plays small role in television show Corner Gas

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Canadian Prime Minister Harper plays small role in television show Corner Gas

February 8, 2019 · Filed under Uncategorized

Wednesday, August 30, 2006

Tuesday, Prime Minister Stephen Harper was filming a cameo appearance on the popular sitcom Corner Gas. Corner Gas is filmed about 40 km south of Regina in the tiny farming community of Rouleau.

Harper was filmed in a scene where he was surrounded by a large group of actors playing reporters and photographers. After completing the scene, he got back into his car and a motorcade left the town, which is called Dog River on the show.

“We can’t say much about cameo appearances, because they’re supposed to be a surprise for the viewers, but yes, there was press scrum,” Corner Gas executive producer Virginia Thompson said. “That’s all I can reveal.” “It works well for the show, actually … We were told by the Prime Minister’s Office that he had a sense of humour, but we thought we would wait and see and sure enough, yeah, he delivered.”

When Paul Martin was the leader of the government, he had a cameo on the show last season. Saskatchewan Premier Lorne Calvert has also made an appearance on the show last season.

“The prime minister was not paid for his appearance and had other reasons for coming to Saskatchewan beyond being part of the show”, said Thompson.

Reporters were kept back and not allowed to see how he performed in front of the cameras.

Harper waved goodbye to small town of Rouleau while travelling down Highway 39 away from the set after spending about 1 1/2 hours there. After, Harper planned to meet with members of his Saskatchewan caucus at a barbeque at Sherwood Forest Country Club Tuesday night. Harper is scheduled to tour the RCMP training academy in Regina today.

The episode featuring Harper will air sometime next spring.

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Wikinews interviews Christoph Bals of the NGO Germanwatch after conclusion of climate conference

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Wikinews interviews Christoph Bals of the NGO Germanwatch after conclusion of climate conference

February 7, 2019 · Filed under Uncategorized

 Correction — February 25, 2008 Translation problems from German to English, see Talk page. 

Thursday, December 27, 2007

A year ago I would have found the current outcome almost revolutionary. … A lot has been achieved, but the biggest hurdles are still in front of us.

With the Climate Conference in Bali having come to a successful conclusion, Wikinews journalist Sean Heron interviewed Christoph Bals from the German NGO Germanwatch on his opinion of the outcome, and an outlook on the future negotiations. Christoph is the Senior Political Executive of Germanwatch, Co-Author of the Climate protection-Index and did lobby work on Bali.

Contents

  • 1 The interview
    • 1.1 Introduction to Germanwatch
    • 1.2 The Negotiations in Bali
    • 1.3 Outlook on the next two years
    • 1.4 Possibilities for individuals to act
    • 1.5 Sources
    • 1.6 External links

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Micronesia left behind by the Paralympic movement

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Micronesia left behind by the Paralympic movement

February 6, 2019 · Filed under Uncategorized

Thursday, August 30, 2012

London, England — At the International Paralympic Committee (IPC) press conference Monday, Sir Philip Craven indicated the goal of the IPC is to grow disability sport globally. At the same time, according to Paul Bird of the Oceania Paralympic Committee, the Micronesian of Oceania has been left completely behind by the Paralympic movement.

According to a member of the Oceania Paralympic Committee, the IPC recognizes fewer countries than the International Olympic Committee, with IPC rules prohibiting countries from becoming full members of the organization if their independence is not clear. This rule dates back to the organization’s founding and no serious attempts have been made to change it since.

As many Micronesian countries are not viewed as independent countries, they cannot join. This includes Guam, the Federated States of Micronesia, the Marshall Islands, Palau, and the Commonwealth of the Northern Mariana Islands. The only eligibility route for elite athletes with disabilities in these countries to the Paralympic Games is through their home country, which for most of the Micronesian region is the United States; they have to compete against better-funded and better-supported competitors to earn national team selection. No disability sport competitors from Micronesia were chosen to represent the United States at the 2012 Summer Paralympics.

This problem is not unique to Micronesia, with the United States territories of Puerto Rico and United States Virgin Islands not being represented as members of the United States team in 2012.

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